The New York Times Style Magazine lists Rose Eken as one of “the ceramists ushering in a new era of surrealism”
The Danish artist Eken, 45, explores in-between spaces. While a teenager in Copenhagen, Eken worked as a stage technician for various punk venues, and this period of her life continues to inform her work. “When the audience is not there, when there’s nobody on the stage . . . these spaces are kind of suspended in time,” says Eken. “I’m intrigued by this moment just before something, or just after.” She’s created several “aftermath” installations, as she calls them, in which she reproduces the detritus left in theatres and concert venues in ceramics that are just slightly off in scale: cigarette butts, soda cans, beer bottles, plastic cups, lighters, band T-shirts, electric cables — commonplace items where private and collective memories meet.
– Amanda Fortini
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