KASPAR OPPEN SAMUELSEN

Lives and works in Copenhagen, Denmark
http://www.kasparoppen.net/

EDUCATION

2008 – 2011 MFA. Fine art. Royal Academy of Fine Arts. Copenhagen, Denmark.
2000 – 2003 BFA. (Hons.) Fine art and contemporary critical theory. Goldsmiths College, University of
London, United Kingdom

SELECTED SOLO EXHIBITIONS

2021

Goodbye Horses, V1 Gallery, Copenhagen, Denmark

2019
Te med Vand fra Den Varme Hane, Jacob Bjørn, Aarhus, Denmark

2018
While the Others got Composed, the Foot and the Dial went for a Stroll, Viborg Kunsthal, Viborg, Denmark

2017
Fugl på Line, Politikens Forhal, Copenhagen, Denmark

2016
Broken Dial, Bendixen Contemporary Art, Copenhagen, Denmark
Ants play man to sleep in soft concerts, with Marie-Louise Vittrup, Treignac Projet, Treignac, France
Primavera Exoskeleton, Jacob Bjørn, Aarhus, Denmark

2015
Hvad gør vi, når vi lander?, LARM, Copenhagen, Denmark.
Commissioned work for VIA University College, Aarhus, Denmark.

2014
Commissioned work for The Court of Western Denmark, Viborg, Denmark

2013
Luring a Giant, LARM, Copenhagen, Denmark

2012
Mænd og ænder, Tranen Contemporary Art Center, Copenhagen, Denmark

2011
Village Paradise, LARM, Copenhagen, Denmark

2010
I begyndelsen var der noget og i slutningen var der noget andet, men kyllingen har en flot mave, så vi går en god
tid i møde, BKS Garage, Copenhagen, Denmark

2009
Rytterknas, Galleri Esplanaden, Copenhagen, Denmark

2006
Body-Double, Koh-I-Noor and Lokale 20, EDB Erindring, Copenhagen, Denmark
Greengrass display, Bingohallen, Vestergågades Passage, Copenhagen, Denmark

2004
Fedex Young Contemporaries, House Gallery, Camberwell, London, United Kingdom
Nth Art Exhibit 001, OLS&CO, Arsenal, London, United Kingdom

2003
Oh boy, oh boy, oh boy, House Gallery, Camberwell, London, United Kingdom
Squat, Sales des Fetes, Avenue Charlotte, Oberkorn, Luxemburg
Goldsmiths Degree Show, Goldsmiths College, New Cross, London, United Kingdom

2002
Art Below Zero, Notting Hills Arts Club, Notting Hill, London, United Kingdom
Restoration, The Crypt, Deptford, London, United Kingdom

2001
Blinkered, Goldsmiths College, London, New Cross, United Kingdom

1998
Killing Fields, Spray Exhibition, The Gallery, Copenhagen, Denmark
Galleri 12, Danmarks Radio, Aarhus, Denmark

SELECTED GROUP EXIHIBITONS

2021
Lampadephoria, V1 Gallery, Copenhagen, Denmark

2020
Today’s Special #5, curated by Mikkel Grønnebæk, V1 Gallery, Copenhagen, Denmark

2017
The Liquid Sheep feat. Peninsula Extras, with Marie-Louise Vittrup, in They Call Us The Screamers, 15th edition of TULCA
Festival of Visual Arts, curated by Matt Packer, Connacht Tribune Print Works, Galway, Ireland
Horses, V1 Gallery, Copenhagen, Denmark

2008
The [weit], NLH space, with Marie-Louise Vittrup, Copenhagen, Denmark

2000
Forårsudstillingen, Charlottenborg, Copenhagen, Denmark

1999
Kunstnernes Efterårsudstilling, Den Frie, Copenhagen, Denmark
Forårsudstillingen, Charlottenborg, Copenhagen, Denmark

1998
Kunstnernes Efterårsudstilling, Den Frie, Copenhagen, Denmark

SELECTED ART FAIRS

2018
Art Herning, (1. Feb. – 3. Feb.) represented by Jacob Bjørn, Copenhagen, Denmark

2017
CODE Art Fair, (31. Aug. – 3. Sep.) represented by Printers Proof, Copenhagen, Denmark
Art Herning, (27. Jan. – 29. Jan.) represented by Printers Proof, Copenhagen, Denmark

2016
CODE Art Fair, (26. Aug. – 28. Aug.) represented by Printers Proof, Copenhagen, Denmark
Volta12, (13. June – 18. June), LARM (DK) and Pablo´s Birthday (US), Basel, Switzerland

2015
Solo presentation at Market, (17. April – 19. April), represented by LARM, Stockholm, Sweden

2013
Volta9, (10. June – 15. June) represented by LARM, Basel, Switzerland
Art Herning, (Jan. 25. – Jan. 27.) represented by LARM, Herning, Denmark

2012
Art Copenhagen, The Nordic Art Fair, (14. Sept. – 16. Sept.) represented by LARM, Copenhagen, Denmark
Volta8, (11. June – 16. June) represented by LARM, Basel, Switzerland
Art Brussels, (19. April – 22. April) represented by LARM, Brussels, Belgium
Art Herning, (27. Jan. – 29 Jan.) represented by LARM, Herning, Denmark

2011
Art Copenhagen, The Nordic Art Fair, (15. Sept. – 18. Sept.) represented by LARM, Copenhagen, Denmark
Solopresentation at Volta7, (13. June – 18. June) represented by LARM, Basel, Switzerland

2010
Art Copenhagen, The Nordic Art Fair, (17. Sept. – 19. Sept.) represented by LARM, Copenhagen, Denmark
AWARDS

2013
The Rockwool Prize

2011
Nordic Art Talents

2010
Hielmstierne-Rosencroneske Stiftelse rejselegat

2009
Tegneinspektør Søren Chr. Jensen og Hustrus Hæderslegat

GRANTS

2018
Dronning Ingrids Romerske Fond
Danish Arts Council (Production)

2017
Danish Arts Council (Production)

2016
Danish Arts Council (Production)

2013
Danish Arts Council (Production)
Ragnvald og Ida Blix’ Fond

2012
Dronning Ingrids Romerske Fond

PUBLIC REPRESENTATION

VIA University College, Århus, Denmark
The Court of Western Denmark, Viborg, Denmark
VIA University College, Holstebro, Denmark
Nykredit Bank, Copenhagen, Denmark
Nordvangskolen, Glostrup, Denmark
University of Copenhagen, Department of Arts and Cultural Studies, Denmark

COLLECTIONS
Ny Carlsbergfondet
Statens Kunstfond
Vejen Kunstmuseum
Ole Faarup Collection

COLLABORATION

2012
Collaboration with designer Stine Goya. Artist print on silk dress. “Flowerheaded rider on pink and turquoise horse”. The Carla
dress.

RESIDENCIES

2019
Ludvig Preetzmann-Aggerholm og Hustrus Stiftelse, 3 Rue de la Perle, 75003 Paris, France. (1. Dec. – 31. Dec.)

2018
The Danish Institute in Rome, VIA OMERO 18, 00197 ROMA, Italy. (1. Sep. – 30. Sep.)
Danish Art Workshops (1. Jan. – 28. Feb.)

2016
Treignac Projetc, 2 rue Ignace Dumergue, 19260 Treignac, France. (1. July. – 31. July.)

2012
The Danish Institute in Rome, VIA OMERO 18, 00197 ROMA, Italy. (1. Oct. – 30. Nov.)

2010
The Danish Institute at Athens, Herefondos 14 – Plaka – GR-105 58 Athens, Greece. (1. March – 30. March.)

SELECTED PRESS

2018
Mansa, Mette Sandhoff. Nye Blikke – I Hus med Richard Winther. Kastrupgårdsamlingen. Narayana Press

2017
Dunne, Aidan. The Screaming Cult Makes its Way to Galway. The Irish Times. TULCA17 review
Long, Declan. They Call Us the Screamers. Frieze. TULCA17 review
Matt, Packer; Rainsford, Sue. They Call Us the Screamers. TULCA17 publication

2016
Hornung, Peter Michael. Linjens leg på papiret. In Politiken. Kultur. 4th of November

2015
Nipper, Marie. Kaspar Oppen Samuelsen. In Peter Lykke-Olesen ed. Campus Aarhus C. VIA University College. Edition of
1300. 92 pages

2013
Fite-Wassilak, Chris. O CHAIR O FLESH. In Frieze. No. 158. Treignac Project, p. 269
Tarasoff, Sabrina. O CHAIR O FLESH. Labellerevue. Treignac Project. Revue d’Art Contemporain en Centre-France.
September
Christensen, Tina. At stå på ryggen af giganter. Magasinet KUNST. Nr. 3/2013. Årgang 22. P. 18-21
6 danske kunstnere, der rykker. In RUM. 3rd of March

2012
Paper Match. Edited and designed by Johan Rosenmunthe and Flemming Ove Bech. Texts by Lisbeth Bonde and Sara Lubich.
Published by Vandret Publications. Offset newsprint in plastic sleeve. Edition of 600. 56 pages

2011
Ross, Trine. Succesfuld kunstner laver udstilling om mænd og ænder. In Politiken. Ibyen, 13th of April
Scavenius, Bente. Anmelderne anbefaler. In Børsen. Kultur. 24th of November
Ross, Trine. De unge malere går ombord i fortiden. In Politiken. Ibyen. 14th of January

2009
Kaspar Oppen Samuelsen. In Dagbladet Information. Nr. 278. Section 2. 28th of November

2008
Eisen, Marianne. Sprung ins Unbekannte. In Luxemburger Wort. 24th of September

2007
Bo, Morten. Fata, Tiden og Ånden. In Fatamorganakunstens Historie 1999-2007. Forlaget Fatamorgana

2006
Lange, Katrine. Det tredje rum. In Manus. Tidskrift for Kunst- og Kulturvidenskab. Krak 148, Kunst i Byen og Byen i Kunsten

2003
Royse, Julia. Hot art. In ELLE Magazine. Jul. p. 42-43
Kaspar Oppen Samuelsen. Goldsmiths College. Cat-A-Logue 03

2001
In the Red. Floorless ed

1999
Hornung, Peter Michael. Storvask på Den Frie. In Politiken. October
Pohl, Eva. Parat til udrykning. In Berlingske Tidende. October

1998
Den skjulte nægtelse. KE 98. Den Frie Udstillingsbygning

1997
Grønnebæk, Mikkel. Artifacts. In Metropolis Magazine. Vol. 2. p. 14-15